“All That Has Come Before” (2022). All images © Hanna Lee Joshi, shared with permission
With long, elegant fingers and brawny limbs, the women that define Hanna Lee Joshi’s gouache and colored pencil works move through the unknown and indiscernible with strength. The Vancouver-based artist renders anonymous figures in motion, whether dancing together or gracefully gliding through water, on their search for greater autonomy and fulfillment unobscured by political, cultural, and social impositions. In comparison to her earlier series, Joshi’s most recent pieces rely more heavily on shades of blue and use more subtle gradients to contour a leg or elbow.
A reference to self-portraiture and a subversion of traditions surrounding nude figures, each of the works is “a means of reflection, a way for me to distill down the tangible and intangible experiences of my life,” she says. “In a way, they are an extension of myself, portraits of emotions, explorations of unanswerable questions, a way for me to grasp at the immensity of life.”
Joshi has a solo show slated for December at Thinkspace Projects, and “Delicate Veil of Being” is available as a limited-edition print in her shop. Explore more of her introspective works on Instagram.
“Wild and Free” (2022)
“Every Last Drop I”
“Belonging”
“Meow”
“Every Last Drop II”
“Every Last Drop III”
“Delicate Veil of Being”
